SHOTGUN
WEDDING
½
2023, R, 101 mins. Jennifer Lopez as Darcy / Josh Duhamel as Tom / Jennifer Coolidge as Tom's Mom / Sônia Braga as Grace's Mom / Lenny Kravitz as Sean / D'Arcy Carden as Harriet / Cheech Marin as Robert / Selena Tan as Marge / Desmin Borges as Ricky / Steve Coulter as Larry Directed by Jason Moore / Written by Mark Hammer |
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The new action/comedy SHOTGUN WEDDING has a premise that should have delivered on both action and comedy, but manages to mostly fail in both respects. The film concerns a destination wedding on a private island in the Philippines that becomes overtaken by pirates that then take all of the guests hostage and try to ransom them for $45 million, with the bride and groom being forced to go into full-on John McClane mode and save everyone. I mean, this should have worked...right?! Now,
I know what you might also be thinking: Didn't the recently released
Gerard Butler action thriller PLANE also
involve a hostage taking on a Philippine island?
It sure did, but that film didn't involve a wedding of any kind
like SHOTGUN WEDDING, but somehow this new Jason Moore helmed effort can't
seem to fully embrace its DIE HARD meets WEDDING
CRASHERS concept.
Sometimes this film takes a stranglehold on its hard-R rated
content (thankfully, this is not a watered down PG-13), but other times it's
hopelessly awash in vanilla bland TV sitcom shenanigans.
SHOTGUN WEDDING is simply not funny or thrilling, and the very well
assembled and game cast can't save the day from the scripting mediocrity
on display here. The
couple-to-be-wed in question are Tom (Josh Duhamel) and Darcy (Jennifer
Lopez), who are both madly in love and can't wait to tie the knot at their
lavish wedding that's being held on an improbably picturesque Philippine
inland.
Just about every friend and family member that counts is in
attendance, not to mention a few surprise visitors, like Darcy's ex-lover
in Sean (Lenny Kravitz), who makes it his mission to arrive in style in
his own private helicopter to steal the thunder.
Sean has - shall we say - an uncomfortably close bond with Darcy
that still exists despite them being in the friendzone, which still annoys
Tom to no end.
Tom has his other share of pressures too, which mostly stems from
the fact that he's being a meticulous control freak about every minute
detail of the wedding.
Darcy, on the other hand, just wishes that her future hubby could
loosens up and try to enjoy the weekend.
There's some potentially intriguing bit of gender reversal
happening in SHOTGUN WEDDING with the husband wanting the wedding day
pitch perfect and the wife being pretty chill about it all, but the
screenplay by Mark Hammer never really capitalizes on the comic
possibilities contained within. There's
added stress coming from some of the family members that have come, like
Darcy's parents - Robert (Cheech Marin) and Renata (Sonia Braga) - knee
deep in divorce proceedings (awkward!), not to mention that Tom's momma in
Carol (Jennifer Coolidge) is a different kind of special needs case; she's
on a bit of a sugary rush about the whole travel and festivities to come
(BTW, the actress is only eleven years Duhamel's senior in real life,
which seems like insulting casting if you ask me).
Really, really complicating things is the sudden arrival of
some dastardly masked pirates that take over the entire event at machine
gun point and demand a hefty ransom from the multi-millionaire Robert.
Rather luckily, Tom and Darcy manage to segregate themselves from
the guests as a whole and try to come up with a rescue plan while dealing
with all of their insecurities - that have come to the forefront at a very
inopportune time - about becoming a married couple for life.
When all the family members get zip-tied and herded away like
cattle by their captors, Tom and Darcy have to put their ever-so-loosely
organized plan into high gear to ensure not only their survival, but
everyone else's that have come for what should be their big day. I'll
say this about the leads here: Duhamel and Lopez are limitlessly and
ridiculously attractive human beings and are good actors to boot, but they're
really badly cast here when one considers the basic details of their
respective roles.
Just think about Tom for moment: He's established as a woefully
washed up Major League Baseball player, but Duhamel in real life is
50-years-old.
Either pro baseball - in the warped reality of this film - is
either keeping players well past their career expiration date or the
makers here are trying to sell Tom as someone far younger than Duhamel is
in reality.
There's also a hint in the story that he was actually scouted a
year before this wedding.
Sure.
Right.
Uh huh.
You betcha.
As a person that is pushing 50 myself, I don't want to engage in
petty ageist attacks on the main stars here.
Duhamel and Lopez (who's astonishingly 52-years-old) look super
humanly better than most fiftysomethings out there, but they're simply not
credible here as a believable couple based on the nonsensical character
development on display that most likely should have had actors in their
twenties.
They could have made Tom anything but a baseball player that wanted
to get back into the pros.
Why wasn't this changed with Duhamel's casting?
Who the hell vetted these choices? Dopey
scripting aside, Duhamel and Lopez could have rose to the challenge to
make this frazzled couple simmer with natural chemistry, but somehow and
someway - and even in their capable hands - they just don't click together
here.
Both characters feel less and less real as the film progresses,
mostly because they're reduced to lame-brained personality quirks that
paradoxically makes them less likeable as the film careens to its climax.
Tom is the hyper focused control freak and Darcy is reduced to
shrill screaming fits when things don't go her way.
There should be some laughs to be derived from a woman and man in
full wedding attire having to form a clandestine plan to take out some
vile pirate kidnappers, but laughs are undeniably not aplenty here. SHOTGUN
WEDDING is basically a series of SNL-esque vignettes that painfully try to
score big guffaws, but far too many moments seem to be lacking hearty
punchlines altogether. And
when the comedic material just sits there listlessly and drags the whole
film down, all we are left with are the action sequences, which could have
been this film's minor saving grace. I
will commend SHOTGUN WEDDING for not being timid minded when it comes to
violence and gore, which is kind of surprising (one sequence involving Tom
trying to remove his restraints with a kitchen meat slicer has predictably
bloody results, not to mention that one baddie in the end gets killed via
helicopter blades in a squirm inducing fashion). It's
during these few fleeting moments when the film developed a bit of a
pulse, only then to flatline when it tried to haphazardly segue to
farcical pratfalls. |
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