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CrAiGeR's REVIEW ARCHIVES

All of CrAiGeR's full-length reviews of contemporary films since Jan 2004

 

 

CrAiGeR's FOUR STAR REVIEWS

Listing of every FOUR STAR review that CrAiGeR has ever written (excludes retro-reviews)

 

 

CrAiGeR's WORST REVIEWS

Listing of every one and a half star or lower review that CrAiGeR has ever written

 

 

CrAiGeR's RETROSPECTIVE REVIEW ARCHIVES

CrAiGeR revisits classic films from

the past

 

 

CrAiGeR's YEARLY BEST/WORST LISTS

CrAiGeR dishes out his TEN BEST and TEN WORST films for every year since 2000

 

 

 

CrAiGeR's TEN MOST OVER-RATED FILMS OF ALL-TIME

CrAiGeR unleashes his list of ten films that he felt did not deserve universal fan accolades and critical praise.

 

 

CrAiGeR's TEN MOST INFLUENTIAL FILMS OF THE LAST 25 YEARS 

CrAiGeR ruminates on ten films he feels most directly influenced the business and making of movies since 1986.

 

 

 

CrAiGeR's TEN BEST FILMS of the 2000's

 

 

CrAiGeR's TEN BEST FILMS of the 1990's

 

 

CrAiGeR's TEN BEST FILMS of the 1980's

 

 

CrAiGeR's TEN BEST FILMS of the 1970's

 

 

CrAiGeR's TEN BEST FILMS of the 1960's

 

 

CrAiGeR's TEN BEST FILMS of the 1950's

 

 

CrAiGeR's TEN BEST FILMS of the 1940's

 

 

 

 

 

 

KING ARTHUR: LEGEND OF THE SWORD

(PG-13jj

King Arthur Begins

KING ARTHUR: LEGEND OF THE SWORD is the seemingly umpteenth retelling of the classic Arthurian legend, only this time heavily amping up on the pure fantastical elements.  Directed with enthusiasm - perhaps a bit too much for his own good...more on that later - by Guy Ritchie (whom previously retooled another iconic property in SHERLOCK HOLMES)...

Posted May 20, 2017

THE WALL (Rjjj1/2  

A refreshingly insular look at a larger conflict

Not to be confused with THE GREAT WALL from earlier this year, THE WALL is a new American War film that's a frequently masterful exercise in minimalist filmmaking economy.  Featuring three actors (one of which appears in voice only off camera) and containing a singular setting throughout its taut and lean 81 minutes, the film is not so much a war film or a commentary on the nature of war, per se, as much as it is a chillingly suspenseful outdoor survival thriller...

Posted May 20, 2017

FIFTY SHADES DARKER (R1/2j  

Someone should permanently cover up this franchise

Staring at a blank white wall for two plus hours would have been a more erotic experience than watching FIFTY SHADES DARKER, the second film in the - dear God, help us all - trilogy of films based on the popular literary series by E.L. James (I'm using the term "literary" ever-so-loosely).   A follow-up film to 2015's FIFTY SHADES OF GREY, this sequel makes miniscule improvements over its antecedent...

Posted May 20, 2017

GUARDIANS OF THE GALAXY: VOL 2

(PG-13jj1/2  

Too much volume, not enough substance

2012's GUARDIANS OF THE GALAXY had no business being as financially successful - and good, for that matter - as it was, seeing as it was a real creative Hail Mary by Marvel and Disney to take a C-grade and virtually unknown comic book property and somehow make it mainstream.  The highly risky gamble paid off handsomely, as the film not only become one of the most cherished in all of the Marvel Cinematic Universe, but this humble critic coveted it so much that he put it on his list of the Ten Best Films of its year...

Posted May 12, 2017

THE CIRCLE (PG-13jj

A Big Brother thriller that needs tech support 

THE CIRCLE is a very dumb movie about some very smart ideas and themes.  What makes the experience of watching it all the more frustrating and disappointing is that there's real talent both in front of and behind the camera. Based on the 2013 cautionary tech thriller novel of the same name by David Eggers, this film adaptation is directed by James Ponsoldt, whom previously made one of the of the best coming of age romance dramas of recent memory in the criminally under-seen THE SPECTACULAR NOW...

Posted May 12, 2017

FREE FIRE  (Rjj

An antiquated Tarantino knock-off

Remember back in the early to mid 1990's when Quentin Tarantino burst onto the movie scene with RESERVOIR DOGS and PULP FICTION, which showcased his highly unique amalgam of blood curdling violence and poetically verbose and pop culture riffing criminal degenerates?  I know.  I do too.  Good times...

Posted April 30, 2017

GIFTED  (PG-13jjj

A family drama bestowed with richly textured characters

GIFTED, at least on paper, certainly sounds like one of those cheaply melodramatic feel-good TV movies of the week.  It concerns a brilliant female math prodigy - just 7-years-old - that becomes embroiled in a child custody hearing between her grandmother and her uncle, the latter which has cared for the "gifted" youngling since she was a baby, during which time her mother committed suicide.  The overall premise of this film for me going in was a real turn-off...

Posted April 30, 2017

PHOENIX FORGOTTEN  (PG-13jj

A found footage thriller starved of innovation

My overall appetite for found footage films has been seriously waning over the years, and very few recent examples (like PROJECT ALMANAC and INTO THE STORM) haven't given me any serious reason to renew my past enthusiasm for this tired and rapidly running out of gas genre.  PHOENIX FORGOTTEN is yet another example of the found footage thriller that appropriates most of its aesthetic accouterments...

Posted April 30, 2017

THE FATE OF THE FURIOUS

(PG-13jj1/2

A series that's showing signs of stalling

Remember way, way back in 2001 when the first FAST AND FURIOUS film was released, well before it improbably spawned seven sequels and grossed $4 billion in global ticket sales?  Looking back it's quite amazing to consider that it was, for all intents and purposes, a not-so-subtle POINT BREAK knock-off about the underground world of street racing that involved crooks illegally racing their souped up muscle cars and imports when they weren't stealing DVD players...

Posted April 23, 2017

THE ZOOKEEPER'S WIFE

(PG-13jjj

The Holocaust via a different unseen lens

As a student of history, I've always found the historical war genre to be right up my alley.  In particular, I appreciate films that find a unique viewfinder through which to look at and examine past events that we think have been covered from all possible angles.  There have been countless dramas about World War II and the Holocaust, but THE ZOOKEEPER'S WIFE...

Posted April 23, 2017

GOING IN STYLE (PG-13jj1/2

Grumpy old heist men

GOING IN STYLE is cinematic comfort food: It's simply prepared, has nostalgic and sentimental value, tastes relatively good and goes down without much fuss.  The film has multiple identities - it's a remake, a grumpy old men comedy of errors, and a bank heist film.  Most importantly, it's a gathering together of three industry thespian heavyweight titans of the movies in Michael Caine, Morgan Freeman, and Alan Arkin...

Posted April 16, 2017

CHIPS (Rj

Someone should write the makers a ticket

CHIPS is so infuriatingly awful in so many head spinning ways that I grew angrier just thinking about them as I endured its 100 minutes.  This is a remake that, as far as I believe, no one really was clamoring for.  More specifically, it's a remake of a late 1970's/early 1980's TV series that many filmgoers today arguably haven't watched, let alone heard of...

Posted April 16, 2017

GHOST IN THE SHELL

(PG-13jj1/2

A beautiful outer shell of a film that's lacking soul on the inside

Confession time:  I've never seen the 1995 anime sci-fi film GHOST IN THE SHELL, which in turn was adapted from the manga series of the same name by Masamune Shirow.  On a positive, I ventured into the live action adaptation of the anime film with an open mind and infinitely less baggage than those that worshipped the original.  There's no denying, though, that GHOST IN THE SHELL's influence on the genre can be felt in innumerable ways...

Posted April 7, 2017

POWER RANGERS (PG-13jj1/2

A reboot that doesn't mightily morph enough

This film is not for me.  There...I said it.  I was bordering on adulthood when the original children's television super hero program MIGHTY MORPHIN' POWER RANGERS hit the air in the early 1990's, which meant that my exposure to it was minimal, to say the least.  It inexplicably became a pop culture phenomenon for young viewers of its era, inexplicable because the series, let's face it, was ultra schlocky from a level of its low rent production standards...

Posted April 7, 2017

LIFE (Rjjj

It's very cold...in spaaaaaace

The new science fiction horror thriller LIFE is a beyond obvious ALIEN knock-off, but it's also an exceedingly well oiled, exemplarily crafted, and reasonably suspenseful ALIEN knockoff that segregates itself far apart from other genre copycats.  Director Daniel Espinosa (SAFE HOUSE) and writers Rhett Reese and Paul Wernick (DEADPOOL) are not trying to hide behind the fact that they're appropriating many of the core elements that made Ridley Scott's 1979 film...

Posted March 31, 2017

BEAUTY AND THE BEAST 

(PGjj1/2  

Remakes old as time

When I was growing up I always considered Disney as a highly rare breed of movie studio that celebrated and sold its very own unique brand of cinemagic.  Lately, though, they've been certainly guilty of abandoning pioneering creativity and have instead opted to lazily mine their very own catalogue of classic and iconic animated films in order to turn them into live action updates...

Posted March 31, 2017

BEFORE I FALL (PG-13jjj

Diary of a time looping mean girl

It would be deceptively easy to label BEFORE I FALL as a one note GROUNDHOG DAY rip-off.  Based on its premise alone, I can just picture how this young adult drama was pitched to a studio head: "Imagine the classic 1993 Bill Murray day looping comedy morphed with MEAN GIRLS, but done in a vastly more solemn and macabre manner...

Posted March 31, 2017

KONG: SKULL ISLAND 

(PG-13jj1/2  

There's only one king of this island

There have been so many cinematic iterations of KING KONG over the last, well, 80-plus years that it's quite easy to lose track of them all.  Of course, there was the landmark and pioneering 1933 original (still the best of the bunch), which was subsequently followed by the semi-campy, semi-serious 1976 remake, which in turn was followed up by the visually awe inspiring, but self indulgently long and bloated Peter Jackson helmed iteration from 2005...

Posted March 17, 2017

LOGAN (Rjjjj

No country for old mutant men

LOGAN is apparently the last film outing for the adamantium clawed Canadian anti-hero...at least the version played by Hugh Jackman, who has inhabited the iconic Marvel Comics character on the silver screen for nearly 20 years.  If this third WOLVERINE film is indeed the swan song for the Australian actor, then we perhaps could not have asked for a better one...

Posted March 11, 2017

MONSTER TRUCKS  (PGjj

These 4X4s are definitely not diesel powered

Well, I'm certainly in no position to label MONSTER TRUCKS as an unoriginal film.  There's has most definitely not been another family film about centuries old subterranean water dwelling creatures that are installed in trucks as an alternative power source that I can recall, which does, yes, make MONSTER TRUCKS one of a kind.  On a level of chuckle inducing ingenuity, the film has a B-grade premise that's actually quite nifty...

Posted March 11, 2017

GET OUT  (Rjjj

Meet the parents

A friend of mine asked me the other day to describe GET OUT, to which I very specifically replied that it's like GUESS WHO'S COMING TO DINNER morphed with a nightmarish episode of THE TWILIGHT ZONE further merged with THE STEPFORD WIVES.  Make sense?  It's an unforgettably weird horror/thriller/comedy from writer/director Jordan Peele...

Posted March 3, 2017

FIST FIGHT  (Rj1/2  

I wonder what this movie's about?

This film most certainly is not engaging in false advertising of any kind whatsoever.  It does indeed feature a fight involving fists (and other objects capable of inflicting pain).  On those levels, the very specifically titled FIST FIGHT delivers on its promises...

Posted February 26, 2017

THE GREAT WALL  

(PG-13jj1/2  

Chinese History - LORD OF THE RINGS and Matt Damon-ified

I have a history degree, and as far back as I can remember to my university days I learned nothing about giant man-eating iguana creatures attacking the Great Wall of China hundreds of years ago.  I even consulted Wikipedia just to be sure...nope.  Now, of course I kid, because THE GREAT WALL is not trying to pass itself off as a historical epic about its famous titular structure...

Posted February 26, 2017

JOHN WICK: CHAPTER 2 

(Rjjjj

Whoa!

"Your descent into hell begins here, Mr. Wick."  When Keanu Reeves' unstoppably lethal hitman is told this late in JOHN WICK: CHAPTER 2...it feels like both a literal and figurative statement.  This is, of course, the sequel to the improbably and surprisingly astounding JOHN WICK, the 2014 introductory installment that emerged as not only one of the most finely attuned action films of the current decade, but also was one of the best films of its year...period...

Posted February 21, 2017

THE LEGO BATMAN MOVIE 

(PGjjj1/2

The plastic bricked Dark Knight Returns

One thing dawned on me while watching - to quote its ultra specific title - THE LEGO BATMAN MOVIE.  There have been so very few comedic portrayals of DC Comics' most popular and iconic character.  With the exception of the joyously campy 1960's TV series, there are not many incarnations of the Caped Crusader that tapped into our collective funny bones...

Posted February 21, 2017

THE SPACE BETWEEN US 

(PG-13jj

A sci-fi romance that's lost in space

THE SPACE BETWEEN US is a new sci-fi romance that's proof positive that an incredibly nifty premise can utterly implode on itself with shoddy and prosaic scripting that hurtles towards one ludicrous narrative contrivance after another.  The film's central arc is stellar, which concerns a teenager that was born and has been raised on Mars when his Earth mother astronaut gave birth to him on the red planet...

Posted February 13, 2017

JACKIE (Rjj1/2  

A portrait of a famous first lady buried under enigmatic layers

The best aspect of JACKIE is that it's not an obligatory biography of one of the most famous First Ladies in American history in Jacqueline Kennedy, the wife of the 35th U.S. President John F. Kennedy.  More compellingly, the film is largely about the short period involving her post JFK assassination life from November 22, 1963 and how she desperately tried to cope with not only the loss of her husband...

Posted February 13, 2017

MANCHESTER BY THE SEA

(Rjjj1/2  

A sobering story of death, grief, and obligations

Kenneth Lonergan's MANCHESTER BY THE SEA is a devastatingly sad, yet darkly comic portrait of working class family grief after dealing with personal tragedy.  It's also about a man so broken down by life and his past that he feels very little impetus to meaningfully and intimately latch onto anything in the present.  This self-destructive and unhealthily depressed loner has his life upended when his older brother passes away, leaving him to face the challenge of becoming his teenage nephew's new guardian...

Posted January 31, 2017

SPLIT (Rjj

Shyamalan's multiple motives makes for a confused thriller

My patience in waiting for a "return to form" for director M. Night Shyamalan has all but eroded.  After bursting onto the scene in the late 90's with his multiple Oscar nominated THE SIXTH SENSE and following up that lauded effort with 2000's UNBREAKABLE and 2002's SIGNS I was quite sure that he was going to be the next Steven Spielberg.  I really, really did...

Posted January 30, 2017

xXx: RETURN OF XANDER CAGE

(PG-13jj

A long dormant action franchise that should have stayed dormant

A few days ago I asked my friend Steve if he wanted to see the sequel to the 2002's Vin Diesel action film xXx, to which he very astutely retorted, "Ummmm...that film already had a sequel...xXx: STATE OF THE UNION...and wasn't that with Ice Cube instead of Diesel?"  An awkward silence ensued, and then I fully realized the error of my ways.  Yes, there already was a sequel to the first xXx...

Posted January 30, 2017

THE FOUNDER (PG-13jjj1/2  

The Big Mac of business entrepreneurs

I want you to close your eyes and try to remember a time without fast food in the world.  It's next to impossible, isn't it? There's a remarkable scene early on it THE FOUNDER that has struggling milkshake maker salesman Ray Kroc (Michael Keaton) journeying through California in the early 1950's.  He's continuously discouraged at the egregiously slow service and poor food quality that he's been experiencing on the road at many a drive-in dinner...

Posted January 30, 2017

Here's my annual blog of the top ten reasons why you all should have rushed out to the cinemas in the year that was.

 

Posted January 23, 2017

SILENCE  (Rjjj1/2 

Scorsese rounds off his faith trilogy

 

SILENCE has been a long gestating passion project for Martin Scorsese, one that's been in development as far back as the 1990's.  It's a thematically complex, visually beautiful, thoughtfully acted, and powerfully dramatic historical epic - based on the 1966 novel of the same name by Shusaku Endo - that concerns Jesuit priests trying to spread the word of God and Christianity to Japan during the early 17th century...

 

Posted January 23, 2017

A MONSTER CALLS  (PG-13jjj1/2 

The darker BFG film

A MONSTER CALLS has been wrongfully advertised as a children's film.  It's really a dark fantasy - based on the novel of the same name by Patrick Ness - that just happens to have a child as its main character.  Director J.A. Bayona (THE IMPOSSIBLE) doesn't once hide behind this film's macabre subject matter and all of the grim and disheartening realities associated with it...

Posted January 23, 2017

LIVE BY NIGHT  (Rjjj

Goodfellas of the Roaring Twenties

Considering the litany of critical abuse that Ben Affleck receives from trolling Internet fanboys...he really has nothing to prove in the industry.  He has won two Academy Awards (one for co-writing GOOD WILL HUNTING and the other for producing the Best Picture winning ARGO) and has emerged as one of the finest actor-turned-directors in recent memory, churning out one memorable and impressive film after another since making his directorial debut a decade ago with the brilliant GONE BABY GONE...

Posted January 23, 2017

UNDERWORLD: BLOOD WARS

(R1/2j

This franchise needs a stake driven through its heart

 

UNDERWORLD: BLOOD WARS is the fifth film in the redundantly long standing vampires versus werewolves action horror series that unequivocally proves why a stake should have been driven straight into its heart several entries ago...

 

Posted January 14, 2017

LA LA LAND (PG-13jjjj

A wondrous romantic musical in the City of Angels

Labeling LA LA LAND as just a musical would be woefully simplistic.  Yes, it's a musical that's a loving ode to the classic Technicolor musicals of the Golden Age of the genre, to be fair.  However, it's also a heartfelt tribute to the movies themselves, young love, the city of Los Angeles, jazz music, and the perseverance and determination of intrepid artistic minds to see their hopes and dreams through to successful fruition when faced with overwhelming odds...

Posted January 7, 2017

FENCES (PG-13jjj

A brilliantly performed, but flatly directed stage-to-screen adaptation

There are times during Denzel Washington's FENCES when it feels like an unabridged stage play that just happens to be shot with movie cameras.  For fans of the 1983 Pulitzer Prize winning play by August Wilson...that's a most welcome thing.  If anything, FENCES - Washington's third film as a director after ANTOINE FISHER and THE GREAT DEBATERS - comes positively alive as a treasure trove of performance riches...

Posted January 7, 2017

ASSASSIN'S CREED 

(PG-13jj

Assassinating any hope for the video game/movie genre

It's not that ASSASSIN'S CREED is a bad or incompetent film, nor is it lacking in definitive and proven talent in front of and behind the camera.  No, this latest in an awfully long lineage of wrongheaded video game to movie adaptations suffers greatly in its inability to make me care for anyone or anything in its story...

Posted December 30, 2016

PASSENGERS (PG-13jj1/2 

Not your typical cruise ship through the cosmos

The new sci-fi romance thriller PASSENGERS reminded me considerably of the recently released COLLATERAL BEAUTY.  Now...here me out for a bit.  Both films are, yes and obviously enough, fundamentally different on paper, but both featured trailer advertising campaigns that were essentially...well...fraudulent....

Posted December 30, 2016

COLLATERAL BEAUTY 

(PG-13zero stars

The collateral damage for all involved in this is high

This movie is wrong.  Just wrong.  Horribly wrong.  Shamefully wrong.  Embarrassingly wrong.  It's wrong for having one of the most fraudulent trailer marketing campaigns in recent memory.  It's wrong because it uses very touchy and sensitive themes of child death, grief, cancer, adultery, and infertility as cheap tools to dispense would-be tear inducing melodrama...

Posted December 30, 2016

ROGUE ONE: A STAR WARS STORY

(PG-13jjj1/2 

Star Wars: Episode III.V

To quote its full title, ROGUE ONE: A STAR WARS STORY is the first of what will, no doubt, be a multitude of new standalone anthology films produced by Disney that are set within the larger universe created by George Lucas four decades ago.  However, this spin-off series is a separate cinematic entity apart from the larger Skywalker family saga that has spanned through Episodes I through VII...

Posted December 22, 2016

OFFICE CHRISTMAS PARTY

(Rjjj

Not the most responsible way to celebrate Jesus' birthday

This film arguably has the most specific title in history.  After screening OFFICE CHRISTMAS PARTY I can categorically conform that (a) it takes place in an office, (b) it takes place during Christmas and (c) it most definitely involves a party.  Oh man...does it ever.  The hard R-rated party genre has been literally done to death, which leaves OFFICE CHRISTMAS PARTY in the unenviable position of trying to instill some freshness and novelty into the underlining material...

Posted December 17, 2016

NOCTURNAL ANIMALS (Rjj1/2 

A thriller with a split personality

Half of Tom Ford's NOCTURNAL ANIMALS works masterfully well.  Its other half...simply does not.  That's not to say that the fashion designer turned film director is not talented.  If anything, NOCTURNAL ANIMALS more than establishes Ford as a consummate cinematic visualist with a highly unique eye...

Posted December 17, 2016

LOVING (PG-13jjjj

A husband and wife that truly defied and challenged societal laws...and won

LOVING is a fact based historical drama that's done with an abundant amount of masterful tact, restraint, and filmmaking economy.  It achieves an intimacy with its subject matter that's refreshingly atypical for these types of genre efforts, which is of no surprise whatsoever seeing as it's from writer/director Jeff Nichols, who's on a remarkably strong and assured creative streak as of late...

Posted December 10, 2016

MOONLIGHT (Rjjjj

This boy's Life

There have been many films well before Barry Jenkins' MOONLIGHT that have dealt with what it means to be black man living in America, but very few have dealt with it as compellingly as his film does.  Adapted from the play of the same name by Tarell McCraney, MOONLIGHT eloquently and powerfully explores the multiple stages of one man's life - from childhood to adolescence and then finally to adulthood...

Posted December 10, 2016

ALLIED (Rjjj

A tale of wartime romance far removed from the front lines

Robert Zemeckis' World War II romance/espionage drama ALLIED is an attempt on his part, I think, to craft a loving homage to the aesthetic of old Hollywood utilizing, of course, modern day technology.  This is certainly not the Oscar winning filmmaker's first foray into WWII (he co-wrote 1941 decades ago for Steven Spielberg), but ALLIED marks his first time dealing with this historical terrain from behind the camera...

Posted December 2, 2016

RULES DON'T APPLY 

(PG-13jj1/2 

Beatty's return to acting and directing nets compellingly mixed results

When Warren Beatty stars in and directs a movie it's kind of a big deal...almost an event in itself.  This is made especially true considering that his creative output over the years has been anything but prolific.  RULES DON'T APPLY not only represents the Hollywood legend's first movie role since 2001's TOWN AND COUNTRY, but it's also his first film behind the camera in nearly two decades, his last effort being the 1998 political satire BULWORTH...

Posted December 2, 2016

BILLY LYNN'S LONG HALFTIME WALK

(Rjj

Lee pushes filmmaking technological limits, but not storytelling ones

Ang Lee has nothing to prove as a filmmaker.  He's always been respected as one of the pre-eminent directors of the last quarter of a century, and the three time Oscar winner has demonstrated time and time again that he takes more inherent creative risks than arguably anyone else in Hollywood.  Just look at his rich resume for proof positive of that, which is replete with a startling diversity of genre work...

Posted November 26, 2016

 

 

 

THE EDGE OF SEVENTEEN

(R)  jjj1/2

 

FANTASTIC BEASTS AND WHERE TO FIND THEM

(PG-13)

jjj

 

ARRIVAL

(PG-13jjjj

 

BLOOD FATHER

(Rjjj

 

DOCTOR STRANGE 

(PG-13jjj

 

HACKSAW RIDGE

(Rjjj1/2  

 

INFERNO

(PG-13j

 

KEEPING UP WITH THE JONESES

(PG-13jjj

 

JACK REACHER

NEVER GO BACK

(PG-13jj1/2

 

CAPTAIN FANTASTIC (Rjj

 

THE ACCOUNTANT

(Rjjj

 

THE INFILTRATOR

(Rjjj

 

THE GIRL ON THE TRAIN

(Rjj

 

HUNT FOR THE WILDERPEOPLE

(Rjjj

 

BATMAN: 

RETURN OF THE CAPED CRUSADERS

(No MPAA Rating

jjj1/2

 

DEEPWATER HORIZON

(PG-13jjj1/2  

 

MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN

(PG-13

jj1/2

 

MASTERMINDS

(PG-13j1/2

 

THE MAGNIFICENT SEVEN

(PG-13jj1/2

 

SNOWDEN

(Rjjjj

 

BLAIR WITCH

(Rjj

 

FOR THE LOVE OF SPOCK

(No MPAA ratingjjj1/2

 

SULLY 

(PG-13jjj

 

ELSTREE 1976

(No MPAA rating

jj

 

THE LIGHT BETWEEN OCEANS

(PG-13jjj1/2

 

HELL OR HIGH WATER

(R) jjjj

 

DON'T BREATHE

(PG-13jjj 

 

MORGAN

(Rjj

 

MECHANIC: RESURRECTION

(PG-13j 

 

KUBO AND THE TWO STRINGS

(PG)

jjjj 

 

BEN HUR 

(PG-13)

jj1/2  

 

WAR DOGS

(Rjjj1/2