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CrAiGeR's REVIEW ARCHIVES

All of CrAiGeR's full-length reviews of contemporary films since Jan 2004

 

 

CrAiGeR's FOUR STAR REVIEWS

Listing of every FOUR STAR review that CrAiGeR has ever written (excludes retro-reviews)

 

 

CrAiGeR's WORST REVIEWS

Listing of every one and a half star or lower review that CrAiGeR has ever written

 

 

CrAiGeR's RETROSPECTIVE REVIEW ARCHIVES

CrAiGeR revisits classic films from

the past

 

 

CrAiGeR's YEARLY BEST/WORST LISTS

CrAiGeR dishes out his TEN BEST and TEN WORST films for every year since 2000

 

 

 

CrAiGeR's TEN MOST OVER-RATED FILMS OF ALL-TIME

CrAiGeR unleashes his list of ten films that he felt did not deserve universal fan accolades and critical praise.

 

 

CrAiGeR's TEN MOST INFLUENTIAL FILMS OF THE LAST 25 YEARS 

CrAiGeR ruminates on ten films he feels most directly influenced the business and making of movies since 1986.

 

 

 

CrAiGeR's TEN BEST FILMS of the 2000's

 

 

CrAiGeR's TEN BEST FILMS of the 1990's

 

 

CrAiGeR's TEN BEST FILMS of the 1980's

 

 

CrAiGeR's TEN BEST FILMS of the 1970's

 

 

CrAiGeR's TEN BEST FILMS of the 1960's

 

 

CrAiGeR's TEN BEST FILMS of the 1950's

 

 

CrAiGeR's TEN BEST FILMS of the 1940's

 

 

 

 

 

 

CHRISTOPHER ROBIN  

(PG) jjj

A bear named Winnie

 

CHRISTOPHER ROBIN is the kind of sweet and good natured family film that are simply not made in abundance anymore.  Dripping with good natured and infectious charm, the latest live action Disney effort (seeking inspiration from one of their classic and iconic animated films) reminds viewers of the enjoyable virtues of simply told fables, and ones done without any semblance of annoying cynicism or forced edge...

 

Posted August 17, 2018

THREE IDENTICAL STRANGERS  

(PG-13) jjj1/2

You couldn't possibly make this up

I want you all to tap into the recesses of your imaginations to help me set up the new documentary THREE IDENTICAL STRANGERS.  Close your eyes:  Imagine, if you would, that you're a bright and eager minded teenager about to attend your very first day of college.  As a brand new student for the academic year you enter into post-secondary studies knowing...that you know nobody at this school...

Posted August 17, 2018

THE RIDER  (R) jjjj

A western drama from a different prerogative

I've seen so many countless permutations of the western genre over the years that I've frankly lost count, but THE RIDER is in a whole other ultra rare breed altogether.  Just how ultra rare, you may ask?  It's a genre busting effort featuring indigenous cowboys from reservations starring non-actors playing semi-fictionalized versions of themselves who are all directed by a female Chinese filmmaker...

Posted August 17, 2018

MISSION: IMPOSSIBLE - FALLOUT  

(PG-13) jjjj

An impossibly great sequel

This really, really shouldn't be happening.  Every fiber of my film critic being is telling me otherwise, but this fifth MISSION: IMPOSSIBLE sequel - defying all odds and past cinematic precedents - has triumphantly emerged as arguably the very best entry in twenty-plus year old espionage series, something that I've been finding myself saying rather inexplicably and somewhat impossibly when every new sequel hits theaters...

Posted August 8, 2018

THE EQUALIZER 2 (R) jjj

The sequalizer   

THE EQUALIZER 2 has a sensationally effective opening sequence.  During it we are re-introduced to ex-CIA agent turned big box store employee turned revenge dispensing machine Robert McCall (Denzel Washington) disguised as a devout Muslim traveling through Turkey via high speed train.  Don't ask...just hear me out...

Posted August 8, 2018

I FEEL PRETTY (R) j1/2

I feel cheated

I FEEL PRETTY is a new comedy with awfully sweet and honorable intentions in terms of its core message and themes, but the manner with which it executes them is kind of maddeningly sloppy and counterproductive.  Without question, this latest Amy Schumer starring vehicle - via its somewhat high concept narrative - advocates a message of believing in oneself and the overall importance of having inner self confidence...

Posted August 8, 2018

ANT-MAN AND THE WASP  

(PG-13) jj1/2

Larger scaled sequel nets tiny returns

Considering the galactic solemnity and unfathomably dire stakes at the climax of the very recently released AVENGERS: INFINITY WAR, one could easily argue that a return to the frivolous merriment of the ANT-MAN films would feel like relative comfort food right about now...

Posted July 29, 2018

THE FIRST PURGE  (R) jj1/2 

A prequel cleansing

I will never feel bad - nor will I ever apologize - for enjoying a majority of THE PURGE movies.  No one should ever confuse them with high art.  They're sleazy B-grade trash, but they're - in reasonable dosages - enjoyable and competently made trash.  Whereas the first film in writer/director James DeMonaco's dystopian sci-fi horror thriller series sort of stumbled out of the blocks as a semi-serious social/political satire crossed morphed with a home invasion thriller...

Posted July 29, 2018

SKYSCRAPER

(PG-13) jj

Dying hard in a towering inferno

I think one of the essential problems with Dwayne Johnson's recent film career is that he's favoring an aggressive paycheck grabbing quantity of films to quality of films approach to selecting his projects.  There's a reason The Rock is the highest paid actor working in contemporary movies: It has everything to do with the fact that he's taking just about any job given to him...

Posted July 29, 2018

WON'T YOU BE MY NEIGHBOR?  

(PG-13) jjjj

It's a beautiful day in the cinema...

There's a moment in the Morgan Neville's brilliant  documentary WON'T YOU BE MY NEIGHBOR? that brought me as close to tears as any other recent movie.  A depressed young boy is relaying to Fred Rogers how his cat recently died.  Speaking to the child directly and sincerely through a feline puppet, Rogers displays enormous empathy while consoling the grieving lad.  Within no time, the downtrodden boy eventually smiles...

Posted July 16, 2018

FIRST REFORMED (R) jjjj

Lost enlightenment

Paul Schrader's FIRST REFORMED is a faith-in-crisis drama about a man of the cloth that's being thrust down a dark chasm of complete emotional and spiritual breakdown.  Calling this a religious movie almost doesn't do it any justice, seeing as Schrader has decidedly more up his sleeve than exploring his character's belief in the almighty...

Posted July 16, 2018

SICARIO: DAY OF THE SOLDADO

(R) jjj

A complicated war on drugs

Upon reflecting on 2015's SICARIO - which, at the time of its release, I thought was one of the best films of its respective year - I never once thought that it was a film with sequel and/or franchise potential written all over it.  With the coldly calculating direction of Denis Villeneuve and intense scripting by Taylor Sheridan, the first SICARIO was a pulse pounding and compellingly layered war on drugs thriller with palpable real world reverberations....

Posted July 16, 2018

JURASSIC WORLD: FALLEN KINGDOM  

(PG-13) j1/2

Oh, how a once mighty series has fallen

Remember what it was like to see a living, breathing dinosaur come lovingly and thrillingly to life for the first time in Steven Spielberg's original JURASSIC PARK?  It was a legitimately awe inspiring moment that instilled in viewers a sense of childlike wonder in ways that few films of its era could (that, and this moment ushered in - for better or worse - a wide-sweeping computer generated visual effects revolution whose ripple effects can still be felt to this very day...

Posted July 3, 2018

THE DEATH OF STALIN (R) jjjj

The Russians are coming, the Russians are coming!

Somewhat like Stanley Kubrick's DR. STRANGELOVE, Armando Iannucci's THE DEATH OF STALIN is a hilariously macabre work of political satire that seems both broadly divorced from reality while simultaneously holding up a mirror up to it.  This grim historical farce - based on a French graphic novel - is hysterical, yes, but it's also a work of unnerving bleakness that pains to show the Soviet Union's Joseph Stalin for what he was - a brutal and cruel dictator... 

Posted July 3, 2018

INCREDIBLES 2  

(PG) jjj

Where...is...my...super suit!?

 

Upon reflection, the super hero movie genre was not at its peak when Brad Bird's THE INCREDIBLES was released back in 2004.  This was years before the first IRON MAN was released and before the Marvel Cinematic Universe was even a pop culture entity.  Hell, THE INCREDIBLES even predated Christopher Nolan's groundbreaking DARK KNIGHT Trilogy, which fundamentally altered the makeup and landscape of the genre in incalculable and influential ways... 

 

Posted June 29, 2018

TAG (R) jj1/2

You're it!

Full disclosure: I was never a big Tag fan growing up.  I never felt that every player was on an equal playing field and it absolutely favored the most dexterous and quick.  Now, Hide and Seek...oh boy... that was a great game, and far more democratic minded.  You could be absolutely athletically challenged and still succeed at it, especially if you had good instincts and could disappear in the most unlikely and difficult to find areas...

Posted June 29, 2018

GRINGO  (R) jj1/2

A south of the border crime comedy that goes south really fast

The new Amazon Studios production GRINGO is a crime comedy that's so tonally schizophrenic throughout that I left my screening having no real idea what kind of movie it was really trying to be.  Disappointingly directed by Australian filmmaker Nash Edgerton - the actor/stuntman turned director that made one of the best least seen noir thrillers of the last decade in 2008's THE SQUARE...

Posted June 29, 2018

OCEAN'S 8  (PG-13) jjj

Never send a man to do a woman's job

Somewhat confusingly, OCEAN'S 8 comes numerically before the previous OCEAN'S films - comprised of Steven Soderbergh's 2001 remake of the 1960s Rat Pack fuelled heist flick, followed by two increasingly inferior sequels in 2004's OCEAN'S TWELVE and 2007's OCEAN'S THIRTEEN.  This may throw casually filmgoers for a loop...

Posted June 20, 2018

THE HURRICANE HEIST (PG-13) j

A water logged crime thriller

The hilariously named THE HURRICANE HEIST most definitely contains - ahem! - a heist and a hurricane, so in terms of advertised promises this action thriller wholeheartedly delivers.  It's also a spectacularly stupid movie, but one that regrettably never harnesses its silliness like a badge of honor, nor does it really even engage in any self-referential winking to the audience that it knows what kind of film it is...

Posted June 20, 2018

ADRIFT  (PG-13) jjj

All is lost...redux

ADRIFT is a new fact based outdoor survival thriller that's cross morphed with a romance drama, which immediately doesn't sound particularly enticing on paper.  Yet, it tells the harrowing true story of Tami Oldman, whom in September of 1983 sailed into a rather powerful hurricane in the middle of the Pacific Ocean and came out of it alive with a severely damaged boat, very little water and rations and no radio support...

Posted June 12, 2018

YOU WERE NEVER REALLY HERE

(R) jjjj

You talkin' to me?

Very few vigilante thrillers are as unnervingly suspenseful, uncompromisingly bleak, and thoroughly disturbing as Lynne Ramsay's YOU WERE NEVER REALLY HERE, which is as brutally punishing to endure in its swift and refreshingly economical running time of 90-plus-minutes as any I've seen.  I mean that last part as a sincere compliment.  Based on the book of the same name by Jonathan Ames, Ramsay's film bares a superficial comparison to Martin Scorsese's TAXI DRIVER...

Posted June 12, 2018

SOLO: A STAR WARS STORY

(PG-13) jj

I got a very bad feeling about this...

I knew that SOLO: A STAR WARS STORY was going to be creatively lethargic and uninspired within my first 60 seconds of watching it.  During that time viewers are introduced to three stanzas worth of exposition heavy title cards that are kind of blandly and lazily thrown up on screen.  Now, one of the most iconic and memorable images of the entire STAR WARS franchise is the sight of the film's opening title cards migrating up the screen...

Posted June 3, 2018

WINCHESTER  (PG-13) jj

Guns and ghosts 

 

WINCHESTER is a new historical horror thriller that's set in an infamous haunted mansion in 1906 San Jose, just before the Great Earthquake that ravaged during the same year.  The residence - located at 525 South Winchester Blvd - was renown for its massive size and multiple architectural abnormalities.  It was also home to Sarah Winchester, the heiress to the Winchester Rifle empire and fortune...

 

Posted June 3, 2018

DARK CRIMES  (R) j

An unpleasantly bleak thriller

DARK CRIMES is one of the most repellently depressing films that I've seen in recent memory, a would-be intoxicating murder-mystery thriller that's made all the more unsettling because of its dicey subject matter handling and because it represents a return to the silver screen by Jim Carrey, his first film as a lead since starring in DUMB AND DUMBER TO...

Posted June 3, 2018

DEADPOOL 2  (R) jjj

Maximum sequel effort

The first DEADPOOL movie gleefully - and sometimes sadistically - turned comic book film genre conventions and troupes upside on their heads.  Ryan Reynolds' fourth wall breaking "merc with the mouth" was just the right kind of self-referential jolt to the heart that super hero films needed, and the relatively cheap $58 million 2016 outing featured three jokes per minute pacing in showcasing this unique titular character's highly subversive wit and edge...

Posted May 25, 2018

REVENGE (R) jjj1/2

Best served cold

I usually don't really enjoy the subgenre of rape revenge thrillers, mostly because they seem more heavily bent towards sensationalism and less towards true feminine empowerment.  There is something to be said about the longstanding legacy (and not a particularly honorable one) of exploitation films that have painted their female characters as one note sex objects or, worse yet, one dimensional victims...

Posted May 25, 2018

CHAPPAQUIDDICK (R) jjj

The man who would never be President

Controversy has forever dogged Senator Edward "Ted" Kennedy up until his death in 2009, ostensibly stemming from the "Chappaquiddick Incident," which the new historical drama CHAPPAQUIDDICK takes its name.  Back in the early morning hours of July 18, 1969 the then 37-year-old Kennedy was driving around with 28-year-old Mary Jo Kopechne when he suddenly careened his vehicle off the road on Chappaquiddick Island...

Posted May 25, 2018

TULLY (R) jjj

How the better half lives

Being a mother is a wonderful, life altering responsibility.  It's also tortuously difficult and can push the best of women to the point of complete physical and mental implosion. I've seen so many countless films in my days about what it means to be a life giver, but so very few unflinchingly capture the worst aspects of being one in quite the same manner as Jason Reitman's TULLY, which delves into the whirlwind of contradictions that typifies the modern parental experience...

Posted May 16, 2018

THE MIRACLE SEASON (PG) jj1/2 

An unhealthy serving of fact based sports film clichés

There's a part of me that feels awfully bad reviewing and being critical of a film like THE MIRACLE SEASON, seeing as it has awfully noble minded intentions and is a fact based sports drama that's steeped in personal tragedy.  The film takes its true story narrative from the unbelievable winning streak of the Iowa City West High School girl's volleyball team - the West High Trojans - that back in 2011 persevered after the death of their star player to go on an win their second state championship in a row...

Posted May 16, 2018

FIFTY SHADES FREED (R) j1/2

Free at last...free at last...thank God Almighty...

There are two reasons why I think FIFTY SHADES FREED is the best entry in the trilogy of films based on the inexplicably popular series of novels by E.L. James.  Seriously...hear me out.  Firstly, it's the most mercifully short entry in this soft core drama franchise, which is a major victory for all of those in attendance that will be anxiously staring at the cinema exit sign while screening it...

Posted May 16, 2018

AVENGERS: INFINITY WAR

(PG-13) jjj

Running the gauntlet

If anyone would have told me ten years ago that a super hero film featuring a B to C grade level Marvel Comics character starring a then career-in-trouble Robert Downey Jr. and directed by the man who made ELF would be a box office and critical darling and launch one of the most financially lucrative and respected franchises in motion picture history...I would have incredulously laughed in your face...

Posted May 7, 2018

FOREVER MY GIRL

(PG-13)  j1/2

Possession is not a good thing

FOREVER MY GIRL is a walking cliché factory that's a nearly unendurable watch checking bore simply by how utterly predictable the narrative becomes with each waking moment.  Based on the Heidi McLaughlin novel, the film seems like it's cherry picking the worst elements of the most forgettable Nicholas Sparks film adaptations and gathering them together to make something so dramatically bland and lifeless that I had to constantly remind myself during my screening that I had to care about what was going on...

Posted May 7, 2018

SUPER TROOPERS 2 (R) jjj

More high speed...shenanigans

Comedy sequels are a very tricky business, especially when they come several years after a cherished one that became a cult hit, leaving the makers with the dubious creative task of trying to rekindle the first entry's lighting in a bottle essence.  When the original SUPER TROOPERS opened way, way back in 2001 - one of the earliest feature films from the comedy troupe Broken Lizard - it never emerged as a major box office smash...

Posted April 29, 2018

BORG VS. McENROE (R) jjj1/2

Dawn of tennis justice

 

Everyone that's familiar with the history of professional sports and tennis will undoubtedly remember the outcome of the 1980 Wimbledon Championships, which featured then four-time singles champ, the Swedish born Bjorn Borg (the number 1 player in the world at the time), facing off against the up and coming John McEnroe in hopes of attaining an unheard of fifth consecutive  title.  The new sports drama BORG VS. McENROE takes its name from that iconic battle of tennis heavyweights, often considered one of the greatest matches in the sport's history...

 

Posted April 29, 2018

ISLES OF DOGS (PG-13) jjj1/2

Woof!

After finally watching Wes Anderson’s ISLE OF DOGS last night I’ve concluded that I’ll take his esoteric brand of joyously idiosyncratic stop motion weirdness over any clean and polished Pixar or Disney animated film any day of the week and twice on SundayThis is the second stop motion animated film from the 48-year-old auteur (after 2009's FANTASTIC MR. FOX), and it proudly and masterfully represents yet another wondrously bizarre and visually magnificent hodgepodge...

Posted April 23, 2018

RAMPAGE (PG-13) jj

Can ya smell what the mutated ape is cookin'? 

It's perhaps a highly fitting thing that the new sci-fi action thriller RAMPAGE is utterly brainless, seeing as it's ever-so-loosely based on a mid-1980's video game series of the same name that involved massive monsters decimating cities in the most basic button mashing form.  Sacrasm aside, the film certainly coasts by on the sizable charisma and star presence of Dwayne Johnson...

Posted April 23, 2018

A QUIET PLACE (PG-13) jjj1/2

Silent Movie

Something very special happened to me during my screening of the new sci-fi horror thriller A QUIET PLACE. For the first time in my twelve years as a film critic I was able to watch a movie in a jam packed cinema with an audience that remained virtually silent throughout its running time.  That's a large part of the ethereal power of director John Krasinski's mercilessly eerie and uniquely potent film...

Posted April 16, 2018

BLOCKERS (R) jjj

A teen sex comedy that's cock of the walk

Based on the one trailer that I saw for BLOCKERS beforehand, I had absolutely zero desire to screen this film.  On a pure surface level, this teen sex comedy delves into material that's been so overdone and has become pretty stale for the genre over the years - a group of ultra horny high school students desperately try to become adults and lose their virginity during prom night...

Posted April 16, 2018

PROUD MARY (R) j1/2  

Nothing to be boastful of here

PROUD MARY pulls an annoying game of bait and switch with audiences that's tipped off as early as its opening credit sequence.  This introductory montage has the look, sound, and feel of a 1970's exploitation film, which initially had me hooked.  Unfortunately, and within a few minutes into the film, it becomes abundantly clear that PROUD MARY is neither set in the 70's, nor does it cheekily embrace its blaxploitation roots...

Posted April 16, 2018

READY PLAYER ONE

(PG-13) jj1/2  

Would you like to play a game?

Steven Spielberg's READY PLAYER ONE - adapted from the popular 2011 novel of the same name by Ernest Cline - often feels like a video game with gloriously and beautifully rendered cut scenes that regrettably has somewhat lackluster gameplay.  For the uninitiated, it may feel like an odd analogy to use video games to describe a movie, but READY PLAYER ONE - both in silver screen and book antecedent form - is a massive homage filled love letter to both the games and cinema of 1980's...

Posted April 6, 2018

THOROUGHBREDS (R) jjj1/2

A pure bred black comedy/thriller

Cory Finley's ultra black comedy thriller THOROUGHBREDS is about entitled women of wealth and privilege that are so bored and lacking in empathy towards other people around them that they begin to harbor murderous thoughts.  The playwright turned director has crafted a debut film that feels like a play in terms of structure, tone, and pacing, not to mention that he allows dialogue to propel scenes forward from one intriguing moment to the next...

Posted April 6, 2018

PACIFIC RIM UPRISING

(PG-13) j1/2  

It's time to to cancel the apocalypse

PACIFIC RIM UPRISING is a wholly unnecessary and carelessly unimaginative sequel to the Guillermo del Toro 2013 directed post apocalyptic sci-fi thriller involving giant man piloted robots that battle even larger monsters to ensure the protection and survival of the human race.  I thought that the first film in this series embraced the lunacy of its wacky premise while regrettably taking it all a bit too seriously...

Posted March 31, 2018

UNSANE (R) jjj1/2

iNSANE

I’m not sure what’s more fascinating and amazing about UNSANE: (1) That a veteran A-list Oscar winning filmmaker like Steven Soderbergh - fresh out of self-imposed retirement - shot this film using nothing but an iPhone or (2) that - in spite of 1 - his film still packs a potent visceral punch as a psychological thriller that also has his esoteric fingerprints all over it.  Once again, as he normally does, Soderbergh commits triple duties here as director, director of photography, and editor...

Posted March 31, 2018

TOMB RAIDER

(PG-13) jjj1/2

Run, Lara, Run!

 

I think it’s important for film critics to use relative benchmarks when rating films and not universal ones.  For example, when I give JOHN WICK a 4 star rating I'm not implying that it's as good as, say, a 4 star rated drama like CITIZEN KANE; rather, that Keanu Reeves flick was a 4 star action thriller...

 

Posted March 23, 2018

LOVE, SIMON (PG-13) jjj1/2

A love story for everyone

I've been noticing that an awful lot of filmgoers and critics have been comparing the new high school/coming of age comedy LOVE, SIMON to the films of John Hughes.  I find such analogies to be somewhat odd and illogical.  The film - based on Becky Albertalli's SIMON VS THE HOMO SAPIENS AGENDA - is just as shrewdly written, well acted, and crowd pleasingly funny as the best of the Hughes' body of work, but, last I checked, the late director's most iconic adolescent themed films never had homosexual protagonists...

Posted March 23, 2018

A WRINKLE IN TIME (PG) jj

Lost in space

Disney's latest live action fantasy A WRINKLE IN TIME - alongside recent examples from the studio like TOMORROWLAND and THE BFG - is yet another example of a high concept effort that gets severely undermined by a lackluster overall execution.  Based on an apparently unfilmable 1962 novel of the same name by Madeleine L'Engle (unread by me)...

Posted March 17, 2018

DEATH WISH (R)  zero stars

A remake that aims very low 

 

Eli Roth’s DEATH WISH - a remake of the 1974 Charles Bronson starring original - is not only an incredibly ill timed and wholly unnecessary movie, but it's also a numbingly sleazy one as well.  It’s sleazy for wanting to have thoughtful commentary about guns, gun violence, and vigilante justice, but only ends up celebrating its “hero’s” carnage and making him “cool."   To drive the latter point home, he's showcased in nifty montages that have AC/DC blaring on the soundtrack for added shallow effect...

 

Posted March 17, 2018

RED SPARROW (R) jjj

Two Lawrences for the price of one

As far as Cold War themed espionage thrillers go, RED SPARROW is perhaps more grippingly atmospheric, sexual graphic, shockingly and sadistically violent, and sinisterly plotted than just about any other of its kind that I've seen.  This Russian spy game genre effort will draw obvious comparisons to last year's sensational ATOMIC BLONDE, which was based on a graphic novel and celebrated its wanton neon colored Regan era trashiness like a badge of honor...

Posted March 12, 2018

MUTE 

(No MPAA Rating) j1/2  

Then we take Berlin

 

Very few filmmakers have come dashing out of the gate with as much confidence and creativity in their first two films than Duncan Jones.  His 2009 ultra low budget sci-fi thriller MOON marked an audacious beginning for his career, and he subsequently followed that up with 2011's trippy mind bending time traveler themed SOURCE CODE, which I thought was even better than his debut effort...

 

Posted March 12, 2018

ANNIHILATION (R) jjj

Thoughtful sci-fi isn't extinct

 

In a relative age when compelling speculative science fiction is an increasingly rare commodity at the cinemas, I wholeheartedly welcome in open arms genre efforts like ANNIHILATION, which is another thematically strong and viscerally immersive sci-fi film from writer/director Alex Garland, whom previously made a large splash with his superlative Oscar winning directorial debut in EX MACHINA and, before that, made a niche for himself penning SUNSHINE and 28 DAYS LATER. ...

 

Posted March 6, 2018

EARLY MAN (PG) jjj1/2

GOOOOOOOAAAAAAL!!!

The opening section of EARLY MAN - the latest Aardman animation studio produced and Nick Park directed stop motion film - is as spectacularly silly as any I've seen as of late.  It shows the extinction event that wiped dinosaurs off of the planet and how, via that event, mankind discovered a love of soccer.  Wait...what?!  Not joking...

Posted March 6, 2018

GAME NIGHT (R) jjj1/2

Not your typical get-together

I love having game nights myself. I play a mean game of Pictionary, and usually get very caught up in the singular pleasure of getting a teammate to properly guess what I'm drawing, especially when it's more obscure.  I do, however, remember vividly when I was given a "cyclops" to draw, and seeing as a minored in Fine Art in university I thought that this would be a slam dunk.  I mean, who doesn't know what a cyclops is...

Posted March 6, 2018

BLACK PANTHER 

(PG-13) jjj1/2

WAKANDA FOREVER!!!

BLACK PANTHER is certainly not the first major Hollywood studio super hero film featuring a black lead character (that honor goes to 1998's BLADE, which also spawned a trilogy and helped usher in the notion that Marvel Comics based silver screen outings could be popular and profitable)...

Posted February 24, 2018

  

 

 

THE 15:17 TO PARIS

(PG-13) j1/2

 

THE POLKA KING

(No MPAA Rating)

jjj

 

PHANTOM THREAD

(R) jjjj

 

THE CLOVERFIELD PARADOX

(No MPAA Rating

jj

 

DEN OF THIEVES

(R) jjj

 

MAZE RUNNER: THE DEATH CURE

(PG-13) jjj

 

12 STRONG

(R) jj1/2

 

CALL ME BY YOUR NAME

(R) jjj

 

HOSTILES

(R) jjjj

 

THE POST

(PG-13) jjjj

 

THE COMMUTER

(PG-13) jj1/2 

 

MOLLY'S GAME

(R) jjjj

 

DOWNSIZING

(R) jj1/2

 

THE GREATEST SHOWMAN

(PG-13) jj

 

JUMANJI: WELCOME TO THE JUNGLE

(PG-13) jjj

 

BRIGHT

(R) jj

 

DARKEST HOUR

(R) jjj1/2

 

STAR WARS: THE LAST JEDI

(PG-13) 

jj1/2

 

THE DISASTER ARTIST

(R) jjj1/2

 

LADY BIRD

(R) jjjj

 

GOOD TIME 

(R) jj1/2

 

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

(R) jjjj

 

INGRID GOES WEST

(R) jjj

 

TULIP FEVER

(R) j1/2

 

WONDER

(PG-13) jjj1/2

 

JIM AND ANDY: THE GREAT BEYOND

(No MPAA rating) jjj1/2

 

JUSTICE LEAGUE

(PG-13)

jjj

 

MURDER ON THE ORIENT EXPRESS

(PG-13) jjj

 

DADDY'S HOME 2

(PG-13) jj

 

THOR: RAGNAROK

(PG-13)

jj1/2 

 

THE MOUNTAIN BETWEEN US

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SUBURBICON

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