FIGHTING WITH MY FAMILY
PG-13, 108 mins.
2019, PG-13, 108 mins.
Florence Pugh as Saraya 'Paige' Knight / Lena Headey as Julia 'Sweet Saraya' Knight / Nick Frost as Patrick 'Rowdy Ricky Knight' Knight / Jack Lowden as Zak 'Zodiac' Knight / Vince Vaughn as Jake Roberts / Thea Trinidad as April 'AJ Lee' Brooks / Aqueela Zoll as Kirsten / Ellie Gonsalves as Maddison / Leah Harvey as Hannah / Dwayne Johnson as The Rock
Written and directed by Stephen Merchant
Part dysfunctional family drama, part underdog overcoming all odds sports biopic, and part WWE recruitment film, FIGHTING WITH MY FAMILY tells the fact based story - with obvious dramatic embellishment and some blind eye turning to history - of Saraya-Jade Bevis, an English professional wrestling personality that would eventually adopt the moniker of "Paige" and become one of the biggest female stars of the WWE.
A two-time Diva's
champion for Vince McMahon's iconic company, Paige emerged from very
humble beginnings back in her home country, starting her pro career at the
alarmingly tender age of 13 alongside her fellow wrestling family members.
The material here has obvious echoes of ROCKY and certainly doesn't
leave many genre stone left unturned, but FIGHTING WITH MY FAMILY
enjoyably coasts by with its charismatic and likeable cast, a wonderful
lead actress, and the highly unlikely Stephen Merchant leading the charge
as writer and director.
It would seem
fitting, to a degree, that a Brit like Merchant would want to tackle this
bizarre, yet inspirational tale of a female Brit wrestler and how she
crawled her way to the top of her profession, but nothing really on his
past resume would indicate any level of fascination with wrestling or
crowd pleasing sports films in general (his past endeavors included his
legendary work as co-creator of BBC's THE OFFICE and EXTRAS with Ricky
Gervais). Maybe that's where
some of my fascination with FIGHTING WITH MY FAMILY came from as I entered
into it, seeing as it's initially exciting to see a filmmaker work outside
of past comfort windows. Merchant
shows great respect and compassion for wrestling, wrestlers, and Paige's
triumphant journey, which is commendable (a lesser director could have
held the story up for mockery), but he certainly has no problems utilizing
some of the genre's more obvious and overused conventions, which is
something that holds FIGHTING WITH MY FAMILY back (it's far too often a
bit too soft pedaled for its own good).
But, Merchant has a knack for character dynamics and razor sharp
dialogue, which keeps his film moving
along at an infectiously breezy pace.
Merchant takes his time to develop the entire family unit behind Paige,
and the film opens up by introducing us to the Knight clan, led by former
ex-con turned wrestling promoter Ricky (a rock solid Nick Frost) and his
tough as nails wife, Julia (Lena Heady), both of whom run the World
Association of Wrestling back home in the UK, which is a pretty low rent
and basement budgeted promotion when compared to the WWE.
The couple also fights in the squared circle on top of running the
show from behind the scenes, and sometimes have bouts with their own
children, Zak (Jack Lowden) and Saraya (Florence Pugh), and these kids have
essentially worshipped at the altar of the WWE since they could literally
walk. Where this family
promotion lacks in production values it makes up for it in terms
of the unbridled enthusiasm and polish that the Knights bring to their
England is a long way away from anyone in this family achieving true
celebrity status as a big time wrestler, and Zack and Saraya soon realize
that their well oiled and chemistry riddled matches in run down gyms and
crummy auditoriums will only take them so far, which results in them
frequently applying for spots on the WWE rosters in America.
When the company manages to make a pit stop on their home turf to
scout for new blood and talent, both Knight kids get a shot of a lifetime
to audition for a coveted position at the WWE high marquee training camp
back in the US, which is run with - ahem! - the stone cold authority of
Hutch (a totally in his element Vince Vaughn).
Saraya is elated to hear that she's been chosen to go on to the holy
grail training camp stateside, but is crushed to hear that her brother
won't be joining her and has been cut.
Obvious family tensions ensue, as well as an arduous journey ahead
for Saraya to beat out the heavy competition to become the Paige of today.
It should also be
mentioned that Dwayne Johnson does show up in the film a few times to play
himself, who obviously figured in very heavily in the history of
the WWE, wrestling for the company before he became a mega movie star.
He's somewhat falsely advertised on FIGHTING WITH MY FAMILY's
promotional material when he has, in actuality, very little screen time in
it (he pops up from time to time as a figure of influence in Paige's rise
up the corporate wrestling ladder in what could be best described as a
glorified cameo). There's
definitely some beyond obvious hero worshipping on display here in the
film, and having "The Rock's" presence was used to, no doubt,
sell the film and help prop up the story's underdog overcoming adversity
message. Thankfully, he's in
it so little that he doesn't detract from the true core of the material,
which is Paige's emotional and physical journey.
Still, I couldn't
shake the feeling at times that FIGHTING WITH MY FAMILY is a thinly veiled
attempt to positively brand the WWE as a dispenser of lifelong dreams
fulfilled, and judging by how painfully difficult it is to have a
successful career in pro wrestler (not to mention cracking the WWE's
roster), I felt like the film was engaging in some distracting
glorification of this organization. Plus,
there's an awful lot that Merchant and company have left off of the table
when it comes to Paige's life and career, which hasn't always been squeaky
clean (she failed multiple drug tests for the company, has gotten into
social media trouble, been on the receiving end of some horrific injuries,
etc.), but including that would somewhat derail the feel-good vibe that the
film's is trying to embody as she eventually became the youngest Divas
champion ever (the screenplay never chronicles anything in her career beyond
that). More often than not,
FIGHTING WITH MY FAMILY seems like it's been cleaned with Lysol and is
too reticent to show the rougher side of Paige's life, not to mention what
the WWE is like.
makes up for this rough around the edges handling of Paige's narrative by
infusing the film with some delightfully droll moments and, most
importantly, an awfully big heart when it comes to these characters, all
of which are infectiously likeable. Most crucially, he never looks down on the Knight family,
despite being one of the oddest families I've ever seen in a film.
FIGHTING WITH MY FAMILY celebrates their strange eccentricities and
focuses on each personality, which makes the film feel more
well rounded than it probably has any right in being.
And for as sentimental as Merchant's overall handling of Paige's
rags to riches arc is, he never paints her too broadly as a character.
If anything, Paige's road to the WWE was pretty tough, and
witnessing her performing for tiny working class crowds in small town
dives would have been a moral zapper for many.
But Paige was a professional workhorse that cared about wrestling,
and one of the more compelling undercurrents of her time in the WWE tryout
camp was battling the more alluringly attractive models that had no
wrestling experience whatsoever, but could easily make the roster on looks
alone. Paige had all the tools required to be a WWE performer, but
lacked the statuesque physique of these women that fanboys lusted after.
Pugh is thanklessly committed and strong here in the film, who not only credibly looks the part of Paige, but also shows her at her most emotionally frail and uncertain, especially when she had to face crippling separation anxiety being apart from her family while battling multiple frustrations and roadblocks at the training camp that would have been enough to make the most strong willed woman quit. I also liked the performances by Frost and Headey, who live vicariously through their child and yearn for her to escape to the greener pastures of the WWE. The whole subplot between the growing estrangement of Paige and her brother is on pure autopilot and wraps up pretty neatly, but two two stars share so much natural chemistry together that you're willing to overlook plot shortcomings. All in all, FIGHTING WITH MY FAMILY may be as mechanically scripted as a wrestling match (don't be expecting a cutting edge dissection of WWE corporate culture and how they manufacture superstars), but it's nevertheless a surprisingly engaging and charming biopic worthy of your investment.
It's also riotously hilarious at times and contains one of the funniest moments I've seen in a film as of late. All I'll say is that it involves Nick Frost and a trash can lid that challenges the notion that wrestling is fake.
You'll know when
you see it.